Chicago Sun-Times: Super Troupers

CHICAGO SUN-TIMES: SUPER TROUPERS

Showbiz couples learn to cope when parts keep them apart-and bring them back together again

Michael and Angela Ingersoll. Bank of America Theatre.

John Cudia and Kathy Voytko celebrated their fourth wedding anniversary together on a recent Thursday night. Both were in the arms of another person. Such is the life for married actors who are in separate shows. "We both celebrated it the Monday before," Voytko says. "Sometimes, you have to fudge the actual date." Voytko is currently playing the role of Clara in Stephen Sondheim's chamber musical Passion, which finishes its run today at Chicago Shakespeare Theater. Cudia is portraying the title character in Andrew Lloyd Webber's The Phantom of the Opera at the Cadillac Palace Theatre.

Cudia and Voytko first met while they were respectively understudying the roles of Raoul and Christine in a production of The Phantom of the Opera. While the opulent and romantic hit music from Andrew Lloyd Webber has no doubt brought many a couple together, Cudia and Voytko say the show wasn't the source of the romance, but rather just the circumstance behind their meeting. "The show is the show," Cudia says. "We could have been cast in a terrible tragedy and if we had been put together in the same room we would have hit it off."

"We were both in rehearsals together for our roles and both kept doing pratfalls to crack the other person up," Voytko adds. "It was completely contrary to how our characters were supposed to behave and we both recognized some kindred silliness in each other."

Unlike the Phantom character he plays, Cudia resisted the urge to drop a chandelier on the competition and instead behaved as a perfect gentleman. "It was obvious to me that we were hitting it off, but she was involved and I didn't want to get in the way." The pair dated for four years before their marriage. For most of their married life Voytko and Cudia have found themselves separated due to various touring productions. "The one good thing I will say is that when you do finally see each other it definitely makes seeing each more exciting," Cudia says.

Now that they're in the same city for a couple of months, Voytko says she can't wait to do the things most couples take for granted. "Just to be able to walk the dog together is going to be great," Voytko says. "Or go out to dinner," Cudia adds. "You know, the normal things."

Cudia is starring opposite Sara Jean Ford in the Webber musical. As the Phantom is teacher to Christine, Ford also could learn a thing or two about actors and relationships from Cudio. The actress is dating Drew Gehling, who plays Bob Gaudio in Jersey Boys. The pair met at Carnegie Mellon University. Ford counts herself lucky for falling for Gehling. "There were seven students in the musical theater class and Drew was the only straight boy," she says, laughing.

Like her Phantom co-star, Ford has spent much time apart from her boyfriend. After graduating, he took a job as Prince Charming at Disneyland in California while she joined the original Chicago company of Wicked.

"Though it was kind of cool to tell people I was dating Prince Charming, the distance got to be a bit much," Ford says. Ford and Gehling's system is never spending more that four weeks apart. "We're fortunate that in our business we both have Mondays off," Gehling says. "At the moment, neither of our shows have Sunday night performances, either. So, we're able to fly out on Sunday night and stay with each other until Tuesday morning." "Sometimes, we don't even wait four weeks," Ford adds."Sometimes it's every other week. We're lame like that," Gehling says. Ford figures that most of her salary from Wicked was spent on flying out to see Gehling on tour in Jersey Boys.

"People can't believe that I would fly out to see him just for one day," Ford says. "To me, it's worth it." In addition to being able to spend more time with each other, Ford and Gehling plan on seeing more family and friends, too. "We're officially known to our family and friends as a 'two-fer,'" Ford says. "It's only in Chicago where you can see both Drew and I in our shows."

"When you date or marry another actor, there is an inherent conflict involved," says Michael Ingersoll, currently seen as Nick Massi in the Chicago production of Jersey Boys opposite Gehling. Ingersoll also is married, to actress Angela Ingersoll. "You want your partner to succeed at everything they do, but you know that success will often entail them leaving you for periods of time."

Like Cudia and Voytko, the Ingersolls met on the stage; they were asked to prepare the marriage proposal scene from The Importance of Being Earnest for a regional theater. It wasn't long before they were rehearsing their own marriage proposal scene. When Michael took on the role of Massi in the national tour of Jersey Boys, it was the first time the couple were apart for a length of time.

"We resisted living apart until we had to," Michael Ingersoll says. "It was such a significant job for me, I couldn't pass it up."

"Chicago was the first place that felt like home to both of us, so it wasn't a stretch for me to say yes to staying here while he went on the road," adds Angela Ingersoll, who was nominated for a Jefferson Award for her role as Martha in Porchlight Music Theatre's 2006 production of The Secret Garden. This past spring, she originated the role of Riley in Chicago Shakespeare Theatre's hit children's show How Can You Run With a Shell on Your Back?. Video gamers will soon be hearing a lot more of her. She recently completed voiceover work for the much-anticipated video game Crysis from Electronic Arts. And, beginning Dec. 12, she will be appearing in the Apple Tree Theatre's production of the fringe musical favorite The Mistress Cycle as the infamous author Anais Nin.

Dating someone in the same profession does have its perks. "Being on the road, you might hit springtime and springtime allergies six months in a row," Voytko says. "When I'm not talkative, he knows it's because I'm trying to save my voice." "There are times when auditions don't go the way you want, and having a spouse who's an actor gives you a support system," Cudia says.

The Ingersolls say it helps to look at both careers jointly. "It isn't a competition. Now that Michael's life is more normal thanks to the long run, I can take more career risks," Angela Ingersoll says. "And I'm here to support her," Michael Ingersoll adds.

Each of the couples has been able to keep their relationships intact in less than perfect circumstances by keeping a line of communication open. "When you're talking to an answering machine, you soon start to feel like you're in a relationship with a machine," Voytko says. "Make sure to say good morning and good night to each other.""You have to trust that the other is behaving as if you are there standing next to them," Cudia says.

The Ingersolls put technology to work for them. "Laptops and Webcams are wonderful," Angela Ingersoll says. "We made it a point to always make and eat dinner with each other even when we were in different cities." "We also saved our days off and would come see the other person whenever we could," Michael Ingersoll adds. "But the iChat dinners gave us a sense of normalcy in between those visits."

Gehling and Ford also plan to work together on a cabaret show they hope to perform while here. "Being in Chicago will give us a chance to be normal," Gehling says. "You're glad to have the experience of a national tour," adds Ford. "But I'm more glad to have a smack of reality in the middle of it."

As for what the future holds for the couples, Cudia and Voytko just might end up taking a cue from the Ingersolls. "Kathy has spent three years working in local theaters and we both adore the Chicago theater community," Cudia says. "We still have a home in New Jersey," Voytko adds. "Everything is just a little friendlier here and we may stick around for a little while longer."

Gehling says he and Ford are considering setting up house in Chicago, too. "In New York, you have to leave town to work," Gehling says. "But in Chicago, you can actually make a living as an actor and still have a family and be a real person." "In the very least," adds Ford, "it's nice to play pretend for the few months we're both living here."

The Mistress Cycle

"Sensational... Ingersoll is simply stunning as Nin, whose life is a maze of men and hidden longing."
-Chicago Sun-Times

jeff-awards-logo

NOMINEE
Best Actress in a Revue
Angela Ingersoll, The Mistress Cycle

THE MISTRESS CYCLE

Apple Tree/Auditorium Theatre

“Anais Nin is played with vixenish vigor by Angela Ingersoll in the standout performance amongst a sturdy cast.”
-New City Stage

“Short and precise, a revue serves as an intimate platform for powerhouse performances. Ample evidence of this is at Apple Tree Theatre, where a sharp, engaging new work, The Mistress Cycle, is setting the stage ablaze. All of the performances are top-notch, but it’s McMonagle and Ingersoll who bring extra punch to their characters. Ingersoll is simply stunning as Nin, whose life is a maze of men and hidden longing… Ingersoll is sensational here, particularly in her rendering of ‘Papa’.”
-Chicago Sun Times

“This remarkable 90-minute revue allows five superb singers/actors to portray seminal and scandalous courtesans... Angela Ingersoll radiates light and heat as Anais Nin.”
-Chicago Free Press

“A sensuous delight in every connotation of the word… This is a tour de force for the cast. Special attention must be called to Ingersoll, who steps into the shoes of unapologetic vixen Anais Nin with liberated gusto, drawing the largest number of laughs from the enthusiastic crowd... The busty Anais Nin exudes sex in her voluptuous red gown.”
-Edge Chicago

“A must-see for lovers and supporters of new musicals… The main reason to see this show is to enjoy the emotional intensity of these richly connected actresses and to appreciate the beauty of their harmonies… These ensemble performances are, without exception, both beguiling and beautifully sung… Ingersoll bends happily into the role of the show’s most overt seductress — not all mistresses are motivated by sex, but then not all mistresses are Nin.”
-Chicago Tribune

“What is most intriguing about this 90 minute tour de force is the interaction of the cast members, who as an ensemble create the best of female musical theatre actresses working today. Most fascinating to watch throughout the show is Ms. Ingersoll… With her impeccable French/English accent and her intricate poses which she hold for minutes without moving is a testament to the Strasberg method of truth.”
-Chicago Pride

Spotlight on the Ingersolls: Vision, Persistence

SPOTLIGHT ON THE INGERSOLLS: VISION. PERSISTENCE.

It's hard to imagine actors with this much talent attributing their success to "perseverance" and "discipline." But that's exactly what Michael and Angela Ingersoll say when asked by Metropolis Insider. The husband and wife teamed up with actors Julie Burt and Steve O'Connell in I Love You, You're Perfect, Now Change, Metropolis' opening production of the 2006/2007 season. This was the second time in these roles for the Ingersolls, both having performed in Love/Perfect at Playhouse on the Square in Memphis. But to become such a successful husband - wife team, they had to become a husband and wife.

Six years ago at the Cincinnati Shakespeare Festival, the company manager made the announcement he makes every year to his company of actors, a profession that is particularly known for its- closeness. "Nobody touch each other." Two weeks later Michael and Angela began dating. After a year together in Cincinnati and three in Memphis at Playhouse on the Square, they married "On a Monday," says Michael. "Cause it's the only dark day [known as dark days, theatres are traditionally only closed on Mondays]."

Michael: "One of the people we met in the theatre got ordained, to marry us. And yeah, we got married on a Monday so that we could-"

Angela: "So all our theatre friends could go. Our artistic friends built the set. When all of your friends are entertainers and party throwers, it's the best wedding ever."

Then there's the matter of career.

M: "Here we were in our 20's, and we wanted to take the next step professionally. We wanted to get in the union, so we took steps towards that."

Insider: "You did one film there [in Memphis]"

M: "Yeah, I did Walk the Line when I was down there. I got to see Joaquin Phoenix a lot. Oh man that's a great movie."

At which point it was time to make the leap to one of the biggest theatre markets in the country. Coming to Chicago "wasn't an easy decision," Michael says. "We had jobs in a resident company [in Memphis], we were always in leading roles, we were paid a living wage, the voice over market there helped us make our living totally from the industry. We were big fish in a small pond… We were doing pretty much what we wanted to do."

And they still are. Michael played the lead in tick, tick... Boom!, the hit musical from the creator of Rent, and was recently cast in the First National Tour of the Broadway hit Jersey Boys, opening December 1 in San Francisco. Angela played Nellie in South Pacific at Light Opera Works and was recently nominated for a JEFF Award for Best Supporting Actress for her work in The Secret Garden at Porchlight Music Theatre. And as rehearsals of Love/Perfect give way to performances it becomes obvious why they get to do what they want. They have huge voices, tremendous talent and a ton of energy. Both of them. Put them with the equally talented Burt and O'Connell and this production takes-off.

In her book The Creative Habit, legendary New York Choreographer Twyla Tharp talks of getting up every morning at 5:30 a.m. to exercise and begin her days' work. She speaks of creativity and talent not as this elusive thing one is born with, but as something one develops through hard work. The Ingersolls are evidence of this. Though I could barely get them to acknowledge their talent, it's obvious they have plenty of it.

M: "We chose to totally start over, knowing that nobody would know us here. We didn't have an agent. You know, but as soon as we got here we got hooked up with Alan Chambers (Associate Artistic Director, Theatre Building Chicago). He had come down to Memphis, there's this huge audition conference every year."

A: "He was really instrumental."

M: "He got us into Josephine Tonight. They were small parts but we got to meet great people through that.

A: "What's gotten the ball rolling for us, in my opinion, has had a lot to do with Elizabeth."

M: "Elizabeth Geddes is our agent, and she is an amazing agent. And if you want to make a living in the business in Chicago, you have to have one. She's been fantastic."

Insider: "How long did it take you to fully make your living in the business in Chicago?"

A: "We haven't had a day job yet."

M: "It's literally a full-time obsession to make that happen. Most actors don't think of themselves as running a contracting business. Your goal is to get a contract. You are a contractor. So you have to be all your own departments of that business, in terms of making connections and self-promotion. We sent out headshots, mailings, letters-”

Insider: "What's the single biggest factor that's lead to your success?"

A: "Having a strong vision of what you want. A lot of artists and actors may be preoccupied with whatever might pop up in front of them. You're not necessarily progressing because you don't have your eye on the prize, you don't have a vision of what you want for yourself and therefore the perseverance to make each opportunity what you want it to be: Every opportunity is whatever you make it. And everyone you work with is as great as you will visualize them to be. So there's this self-obsession that you have and this collaborative cooperation that you have to have at the same time. And it's exhausting, but necessary. And very rewarding."

M: "It's perseverance and discipline. They're more important than anything else. They're more important than talent, they're more important than the way you look. I think they're more important than ability. I think we can all agree that there are some actors that are making incredible livings that may not be the best actors in the world. But they worked it. They worked the business. My bet is that Keanu Reeves worked the business."

A: "Yeah, you don't have to be the most talented or beautiful or the smartest. You have to do everything you can to make it happen for yourself."

M: "Which is not selling ourselves short or anything. Yes, [talent] must be a part of the puzzle, but it's only a part in a much larger puzzle."

A: "Because the business isn't fair."

M: "Right, I mean the discipline is just not to give up. The rejection is intense. All the time, it is constant. Constant."

A: "And it's necessary for the business to work. You have to accept the rejection. It's normal."

M: "But to not let that get in your head. To not let the rejection define you. To not let it cripple you, in terms of your effort. I think is the single most important thing. You have to keep doing it.”

Insider: "What's a good batting average?”

M: "It depends. If you're going to do theatre-Ok, if your goal-[stopping to think] Really it's money. You can work constantly if you're not worried about money. Because there's so much theatre in this city. Hundreds of companies. You can work if all you want is work. If you want to make a living? In Theatre? I think a good batting average is one out of fifteen."

Insider: "So what's your batting average since coming to Chicago?"

M: "It's a little better than that (laughing). I've probably gone on 15 or 20 [auditions], and I've gotten maybe five or six, and turned down the three that were not as good as the three that I accepted."

A: "I haven't gone on as many theatre auditions as you. I was a little pickier."

M: "I was happy to get-What?!" (Both laughing)

M: "But the biggest thing, you can't set rules for yourself. As soon as you say 'ok if I haven't done XYZ in two years, I'm done.' You can't do it. It doesn't work that way. You have to say, I will achieve this no matter what."

A: "The discoveries you make along the way of how you're going to get there-that's the exciting part. You just need to keep your vision alive."

M: "What you're selling is yourself. You have to be a product that someone wants to invest in. Part of the discipline is spending money to maintain your voice with voice lessons. It's going to the gym. It's going to bed early enough that you can get up early enough in the morning to go to your audition that you know you have a one in a hundred chance of getting. That's what I mean, I guess, with discipline."

Insider: "Michael, you just got cast in the National Tour of Jersey Boys."

M: "I start rehearsal in New York the day [Love/Perfect] closes. The coolest part, is the first national tour is a remount by the original Broadway creative team. So the director, who won the Tony, everybody, the musical director, reassembles to do this thing. So that's what's really exciting...

If there's anything else that's interesting, it's that we've really done this as a team. The way that we've leaned on each other, and supported each other through this because-In acting, or in any arts, the highs are higher, and the lows are lower. When it's great it's great, and when it's bad-cause what you’re selling is you, and when you get, you know, no no no no no, it's you they're saying no to. I think it's cool that, you know, Angie and I have done it together. That we met in the theatre. That we got married in the theatre."

 

RSVP Magazine: She’s a Star

RSVP MAGAZINE: SHE'S A STAR

CENTERSTAGE

She's known her passion forever: the desire to be center stage, in the heat of the lights, acting and singing her heart out. "I remember being three years old, taking my clothes off and saying, 'Look, I'm Gypsy Rose Lee.'" While the stages have changed and the costumes have been a bit more complete, the passion of theatre and the drama of drama have stayed right in the heart of Groeschen (Ingersoll).

Angela Groeschen, in the few years that she has called Memphis home, has been actively thrilling the Memphis audiences through her work at Playhouse on the Square and their family of stages. Groeschen came to Memphis from Indianapolis, where she grew up as a child, Ithaca, New York, where she attended college, and New York City, where she waited tables and did the struggling actor's thing. There was the year back in the Midwest doing more regional theater before she and Michael Ingersoll, boyfriend and now her fiance, were both accepted by Playhouse on the Square to become part of the team. Groeschen spent a year as an intern before becoming a resident member of the company and more than a team player for all-that-is-Memphis-theater. She's a star.

When Groeschen speaks of her theater experiences, she speaks respectfully and in awe of the names who have guided her-too many to mention really, but one high school teacher, Dr. Carroll Stegall, is always at the forefront of her performances. "I still think of him as if he's in the audience." She wants to do her best for those who have guided her.

She's downright emotional when she speaks of her passion for theater and acting. "Doing Shakespeare is my favorite thing in the world," she notes. And, her language reverberates with someone in love with every aspect of theater: "I love listening to directors. I learn something in every play." And, as she has learned, she has thrilled Memphis audiences with memorable performances in a host of plays: Macbeth ("I thought I was way too young and didn't really expect to get the part." Others thought differently, thank goodness) Bat Boy: The Musical, Jekyll & Hyde, The Philadelphia Story, The Wizard Of Oz, and on and on. On the horizon, she'll take leading roles in Of Mice And Men, Man Of La Mancha, and Beauty & The Beast.

As for her future with soon-to-be husband, Michael Ingersoll: "We're researching theater in Chicago, a bigger market." The idea of her Midwestern family being able to see her on stage adds an incentive to get back to that part of the country. She also sees herself directing, if it is a bit later in life: "I always had a dream in the back of my head of having my own space."

Whatever she's doing in theater and wherever she's performing or directing, it's a good bet that Angela Groeschen will bring drama to life for audiences for a long time. And, we suspect there will be more than one or two rousing curtain calls for this dedicated artist.