I Gotta Right to Sing the Blues

"In a knockout performance, Angela Ingersoll matches Judy Garland's devastating heights and depths." -Time Out Chicago

I GOTTA RIGHT TO SING THE BLUES: A SALUTE TO ELLA, JUDY, & PATSY

Artists Lounge Live

A trio of stellar songstresses unite in a torchy tribute to their idols. I GOTTA RIGHT TO SING THE BLUES combines the iconic catalogues of Ella Fitzgerald, Judy Garland, and Patsy Cline and into an inspiring portrait of America’s musical heritage. Alexis J Roston (LADY DAY AT EMERSON’S BAR AND GRILL; PORGY AND BESS) effortlessly emits the sweet and sultry swing of Jazz great Ella Fitzgerald; Angela Ingersoll (END OF THE RAINBOW; SOUTH PACIFIC) hauntingly captures the emotional power of Pop superstar Judy Garland; and Katie Deal (ALWAYS, PATSY CLINE; CLASSIC NASHVILLE ROADSHOW) soulfully embodies the tender heartache of Country legend Patsy Cline. This moving celebration features a bounty of beloved songs including “Cry Me a River,” “The Man That Got Away,” “Crazy,” and many more. Presented by Artists Lounge Live.

Angela Ingersoll, Over the Rainbow. Artists Lounge Live.

Angela Ingersoll, The Man That Got Away. Artists Lounge Live.

CHICAGO TRIBUNE spotlights BLUES premiere

CHICAGO TRIBUNE SPOTLIGHTS BLUES PREMIERE

Musical Tribute Highlights 3 Legends

CHICAGO TRIBUNE: A show about three of the most legendary singers debuts at Elgin Community College Nov. 14. "I Gotta Right to Sing the Blues: A Salute to Ella, Judy and Patsy" premieres at 7 p.m. in the Blizzard Theatre at the college. It is described as "a torchy tribute that pays homage to three iconic singers, weaving their diverse voices into an inspiring portrait of America's musical heritage."

Karen Marie Richardson, whose credits include Off Broadway's "Sleep No More" and the national tour of Duke Ellington's opera "Queenie Pie," portrays jazz great Ella Fitzgerald. Angela Ingersoll, who gave Jeff Award-nominated performances in "The Mistress Cycle" and "The Secret Garden," takes on popular icon Judy Garland. Katie Deal, who has appeared in national tours of "Today, Tomorrow and Forever: A Tribute to Patsy Cline" and "A Closer Walk with Patsy Cline," becomes country legend Patsy Cline.

The show will feature all the hit songs, including "Cry Me a River," "The Man That Got Away," "Crazy" and more.

"It tells many different stories of each of the individual performers — Ella Fitzgerald, Judy Garland and Patsy Cline — and it takes people on a journey of their paths seemingly intersect in their stories," said Richardson, who splits her time between Bloomingdale and New York City. "And at one point, there is a pinnacle moment where they do meet in like a dream land. They meet and have a conversation, which is pretty powerful. What they have in common, in addition to the strains of their stories, is there is a particular song they have all recorded, and we're going to be doing that." (Fun fact: that song is "You Belong to Me.")

The show was conceived and written by Ingersoll. It is presented by Artists' Lounge Live, a concert series curated by her husband Michael Ingersoll. He is a member of Under the Streetlamp and a former "Jersey Boy."

"She came up with the idea to put these three dynamite vocalists, these dynamite powerhouse individuals who are legends, together," Richardson said. They met doing "The Mistress Cycle" together.

"We've done a couple of concerts with Michael Ingersoll and his group when they were getting their legs, and she reached out to me and asked if I would be interested in putting together my own Ella Fitzgerald show, because jazz is what I've been featured doing recently," she said. "They are wonderful; they're both dynamos and talented, and Michael's production skills are off the charts and amazing. Angela's not just simply a performer herself; she has many attributes. Her vocals are incredible, her acting is amazing and her writing takes you to another place. It takes you inside the minds of these individuals as they go through their life journeys."

The storyline takes audiences through the lives of these women, covering their back stories, loves and trials and tribulations, she said.

"It does touch on their deaths, but if we were to tell the stories of these individuals it would take an hour apiece or more," she said. "But it glides through each of their stories and shows their relevancy to one another."

Richardson said she has a lot in common with Fitzgerald, and looks forward to the chance to portray her.

"She was a late scatter, and I did not start scatting until the last six or seven years," she said. "She started scatting long after she started singing. She probably thought when she was getting up onstage that she was just singing to sing," she said. "She didn't know that she would make such an impact on music and on individuals far beyond her generation.

"For me, having an opportunity to help tell Ella Fitzgerald's story means that I'm also telling you a piece of my story as well," she said. "Although we did not have the exact same upbringing, we do have similarities in our music and countless people who believe in us that will continue to propel our careers."

For example, when Richardson started working at "Sleep No More" Off Broadway, she started working there as an usher. She worked in the box office and then in coat check, and that's where she met the producer of the show. She was able to audition for the show, and became the understudy for all of the singers. That led to her becoming one of the vocalists, a role she's had for four years now.

Her favorite Ella songs to sing are "It Don't Mean a Thing," "Summertime," "Can't Help Lovin' Dat Man," she said.

"In general, singing jazz, and singing songs that Ella Fitzgerald helped make famous, makes my heart very happy," she said.

She thinks people of all ages and from all walks of life will enjoy this show, she said. The show is lighthearted and takes you on an unforgettable journey.

"In my mind, the goal is to bring back a sense of nostalgia to those that are aware of this time period, and to invoke new learning for younger people," she said. "For me, if I could just reach one young individual and get them to learn something new about someone they did not know about, then I've made an impact. They will start to do the research and start the conversations that will lead to better understanding music as a whole and also the music of Ella and Judy and Patsy."

OCALA.com Features Blues at Reilly

OCALA.COM FEATURES BLUES AT REILLY

Trio performs Patsy Cline, Judy Garland and Ella Fitzgerald

Ocala.com: Each songstress was a powerhouse. Each voice was immediately recognizable and unique. Had they ever shared a stage, it would have been a concert of titanic proportion: Patsy Cline, Judy Garland and Ella Fitzgerald. All have long been gone -- too soon, perhaps, for Cline and Garland -- but their music comes to Ocala Sunday in a concert that borrows its name from the 1930s Billie Holiday classic, "I Gotta Right to Sing the Blues."

"They each had a reason to sing the blues," said Katie Deal, a rising star from rural north Georgia who channels Cline in the show.

“I couldn't help but notice they were legendary women who were strong singers in the middle of the century who had similarly terrible lives,” added Angela Ingersoll, who packaged this show and performs Garland's songs.

“It's pretty lonely being a legend,” Ingersoll said.

Deal, daughter of Georgia Gov. Nathan Deal, said she grew up listening to country music. “We had three radio stations: AM news, oldies and country,” she said. Of course she heard a lot of Cline; “when I grew up I found I have her voice,” Deal added. She put together a one-woman show “Today, Tomorrow & Forever: A Tribute to Patsy Cline.”

Born poor in Gore, Virginia, Cline “had to make her own way,” Deal said; among hardships were her father deserting the family when she was 8, rheumatic fever as a teen and a near-fatal car crash. Cline died in a plane crash in March, 1963, but not before leaving a legacy of country blues such as “Crazy,” “Walkin' After Midnight” and “Leavin' On Your Mind.”

“I'm 37,” Deal said. “Look what she did, she was 30 and she's gone.”

Ingersoll said her first exposure to Garland was, naturally, “The Wizard of Oz.” “I couldn't imagine a scenario more attractive than being a red-haired runaway with a dog. I got hooked pretty quickly.”

Ingersoll, however, had cats and “dishwater-brown” hair, yet for her Garland “captured an idealized version of life.” She grew up listening to her uncle's collection of records by the singer and actress. “A public school music teacher told me I had talent and pushed me into music,” said Ingersoll, now a Chicago resident. “She's my fairy godmother.”

She began singing as a small girl with a deep repertoire such as Garland's signature “Somewhere Over the Rainbow,” “Get Happy” and “The Man that Got Away.” Garland died in June, 1969 of a barbiturate overdose following a long struggle with drugs and alcohol.

“As I grew up, I understood the pain in her life helped me with the pain in my life,” Ingersoll said. This show, she added, “you feel like you're inside your radio.”

Both Garland and Fitzgerald sang “I Gotta Right to Sing the Blues” and “I Got Rhythm” at some point during their careers. There's no evidence the three sang together, though reportedly all three individually sang “You Belong to Me.”

Karen Marie Richardson said she grew up with a father “who was an avid lover of jazz. Ever since I was little he said I had Ella in my voice.” But her focus really wasn't on the legendary Fitzgerald “until I started working in New York City and started singing jazz,” she said. “My dad told me I have a jazz voice.”

Fitzgerald, who ran away from home and lived as an orphan in New York and later seized a shot at stardom by winning a talent competition at the famed Apollo Theater, became “my textbook, my Ellapedia,” Richardson said.

Fitzgerald, “first lady of song,” was a rising star but couldn't get booked into the Mocambo Club in Hollywood; Marilyn Monroe reportedly told operators they should, and she'd take a table upfront every week that her friend was there.

Unlike Cline and Garland, Fitzgerald lived a long life, though diabetes claimed her legs in 1993. “But she told people, 'I don't sing with my legs,'” Richardson said. She died in 1996 at age 79.

Richardson will perform Fitzgerald favorites such as “Summertime,” “Someone to Watch Over Me” and “I Can't Give You Anything But Love.”

Like Fitzgerald, Richardson said she has “always been extremely different, eccentric, always a dreamer.” She, too, went to New York with nearly nothing and worked her way up. One night pop singer Pink stopped by “to sing with me and I've been singing ever since.

“It's inconsistent,” she added. “But it's my dream.”

Chicago Tribune Features Blues at Paramount

CHICAGO TRIBUNE FEATURES BLUES AT PARAMOUNT

Trio channels Ella Fitzgerald, Judy Garland, Patsy Cline

Chicago Tribune: Angela Ingersoll, who performs the songs of Judy Garland in the show "I Gotta Right to Sing the Blues: A Salute to Ella, Judy & Patsy," has a simple formula for entertaining audiences. "We are just doing a concert and just being ourselves, presenting it with love," said Ingersoll about the show that she performs with two other singers, "and that creates the magic."

In "I Gotta Right to Sing the Blues: A Salute to Ella, Judy & Patsy," Karen Marie Richardson emits the sultry sound of jazz great Ella Fitzgerald; Angela Ingersoll captures the emotional power of Judy Garland; and Katie Deal epitomizes the tender heartache of country legend Patsy Cline. "I Gotta Right to Sing the Blues" will be presented at 3 p.m. Feb. 28 at the Paramount Theatre in Aurora.

"The title of the show is not attached to any one performer," she said. "It was done by Billie Holiday originally. But the title describes the three of them." Some of the songs featured in the show includes Patsy Cline's "Crazy" and "Walking After Midnight;" Ella Fitzgerald's "It Don't Mean a Thing (If It Ain't Got That Swing)" and "Summertime;" and Judy Garland's "The Man That Got Away," "Get Happy" and "Over the Rainbow."

"We sing together occasionally," Ingersoll said. "In the show Ella teaches Judy some things on 'I Got Rhythm.' Also, the three of us sing together on 'You Belong to Me' and the title, 'I Got a Right to Sing the Blues.'"

Richardson's credits include an Off-Broadway performance in "Sleep No More" and performing in the national tour of Duke Ellington's opera "Queenie Pie." Ingersoll is a long-time Chicago actress with credits at Chicago Shakespeare Theatre, Drury Lane Oakbrook and Porchlight Music Theatre, among others. Ingersoll was nominated for a Jeff Award for her performances in "The Mistress Cycle" and "The Secret Garden." Deal has appeared in national tours of "Today, Tomorrow and Forever: A Tribute to Patsy Cline" and "A Closer Walk with Patsy Cline."

"We don't do impressions," said Ingersoll about the trio's performances in "I Gotta Right to Sing the Blues." "I think impressions have the intention to fool someone. But there is a striking resemblance to the performers."

Although the genres are different, Ingersoll believes that there is a common factor among the artists. "They all had the ability to transmit feelings and work through the pain," she said. "Ella seemed to let pain go in the song. Patsy's songs were like a cut, the first time you feel pain. With Judy, the wound is getting deeper and deeper."

The show is being presented by Artists Lounge Live, a concert series developed by Angela Ingersoll and her husband, Michael. Michael Ingersoll is a member of Under the Streetlamp quartet and a former performer in the national touring company of "Jersey Boys." "Michael and I started Artists Lounge Live to bring talented friends to audiences across the country," Ingersoll said. "In this case I put together something about my three favorite singers and performed it with two talented friends."